MURIC labels film ‘Satanic’, urges prohibition over Niqab portrayal

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– Muslim Rights Group Decries Controversial Film, Calls for Action.

A forthcoming film featuring prominent actress Nancy Isime has ignited a firestorm of controversy, prompting the Muslim Rights Concern (MURIC) to demand its prohibition. The contentious movie depicts women donning the niqab, a full-body Islamic covering, while wielding weapons and engaging in criminal activities.

MURIC’s Executive Director, Professor Ishaq Akintola, issued a scathing rebuke of the film, labeling it “satanic” and accusing it of portraying Muslim women as violent criminals. In a strongly-worded statement, Akintola argued that the film’s content is not only Islamophobic but also has the potential to incite public hostility towards Muslim women and the broader Muslim community.

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The organization posits that the film is part of a long-standing campaign against Islamic dress codes, particularly the hijab and niqab. MURIC has urged the National Film and Video Censors Board to launch an immediate investigation and ban the movie, warning that its release could potentially ignite social unrest.

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Akintola called for calm among concerned Muslims, assuring them that appropriate action is being taken. He emphasized the importance of maintaining peace and allowing authorities to address the situation.

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The controversy erupted when Isime unveiled a movie poster featuring veiled women brandishing firearms in a bank robbery scene. This sparked outrage within the Muslim community, with some threatening to file complaints with Meta over what they deem “Islamophobic content.”

Critics of the film argue that the niqab is being misrepresented as a tool for concealing criminal identities rather than as a religious garment. They contend that alternative methods of disguise could have been employed without appropriating Islamic attire.

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As the debate intensifies, the incident highlights the delicate balance between artistic expression and religious sensitivity in Nigeria’s diverse cultural landscape. The outcome of this controversy may have far-reaching implications for future film productions dealing with religious themes and symbols.

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